Scharad Lightbourne 7/1/25 Scharad Lightbourne 7/1/25

Behind the Lens: Capturing Bahari’s 2025 Independence Collection Honoring Bahamian Culture

BAHARI BAHAMAS’ INDEPENDENCE COLLECTION ‘25

Bahari has built a reputation for launching monumental campaigns that captivate the nation—sparking excitement and long lines of eager customers rushing to get their hands on the latest designs. Independence Day, one of the most celebrated holidays in The Bahamas, also marks the brand’s biggest and most anticipated collection of the year.

Each year, Bahari masterfully reimagines its Independence designs, drawing inspiration from iconic Bahamian symbols, historic events, and cherished scenes from our past. This year was no different—and when the brand approached me to photograph their new collection, I jumped at the opportunity.

I was genuinely impressed by the designs. They’re not only visually striking but carry a depth and cultural richness that make them even more powerful in person.

Behind the scenes, the energy was high from the moment we stepped onto set. Models were being styled with precision, garments carefully steamed and adjusted, and the creative team fine-tuned every detail to make sure the vision translated perfectly on camera. The heart of the set was a massive LED wall that projected moving images of Old Nassau, layered with AI-generated vintage Bahamian scenes. That mix of nostalgia and innovation made the backdrop feel alive—almost cinematic.

This was only my second time working with consistent studio lighting, but with each shot, I felt more in control. It gave me the freedom to focus more on expression and body language—how to direct and position the models in ways that felt natural yet powerful. There were moments of spontaneous magic—quick laughs between takes, adjustments in poses that ended up being the final selects, and even a few goosebumps seeing how beautifully everything was coming together in real time.

What Bahari created with this collection goes beyond clothing. It’s a reminder of who we are as a people, where we come from, and what we continue to celebrate.

Scharad Lightbourne 10/3/22 Scharad Lightbourne 10/3/22

Lisa Nichols and Marcellus Hall Engagement Shoot on the island of Eleuthera

I remember getting a call from Lisa Nichols quite early one Sunday morning. She told me that she'd been approached by several publications to use her and Marcellus Hall’s official engagement photos. She said, " Scharad, before I start, I just need you to say yes!"

I didn't hesitate either. I said, "Lisa, whatever we do, we can't shoot in Nassau. We need to go to Eleuthera!"

I told Lisa that shooting in Eleuthera would give me a playground of different locations that I'd photographed before but not enough. Eleuthera is in my top 3 most beautiful islands in our archipelago. Lisa told me she’d never been, but she trusted me with her vision.

On day 1, we took Lisa and Marcellus near the Hatchet Bay Silos. It was a beautiful sight to see this couple move alongside the road. They were talking and smiling together, embracing and overall having a great time with these impressive structures in the background.

This was one of many locations we used on the island. We shot in Gregory Town, Queen’s Bath and on the beautiful Gaulding Cay Beach. I don’t know if my team were more excited about the images of the couple or about discovering all these picturesque pockets of Eleuthera.

WATCH THE BEHIND THE SCENES VIDEO

📸: Photography by: Scharad Lightbourne

🎥: Videography by: TandT Media

👗: Stylist: Anastarcia Palacious

💄: Makeup: Torkel Dawkins

✊🏾: Grip: Tameka Petit Homme

Scharad Lightbourne 2/23/21 Scharad Lightbourne 2/23/21

CHALLENGE Yourself! You can shoot anywhere!

Often, I'm asked, "How do you come up with your locations?"

My answer is always the same. I get in my car, drive around town and pull out my iPhone when I see a place or space that looks interesting. I am under the mindset that you can shoot anywhere and make it look great with a little improvisation and creativity. My goal for this post was to push and challenge any of my readers who find it hard to find exciting and different space to shoot their subjects.

My client, Le’Annka, wanted to do something different. She didn't wish to studio portraits. She wanted to be creative and diverse, and so she was adamant that we shoot outdoors. When she and I met for a consultation, I showed her my plans for a shoot to take place in tall blades of grass one would find in nature.

Now, living on a small island presents its issue with always having somewhere new to photograph. New Providence, the island that I live on, is only 21 miles long by 7 miles wide, and there are few public spaces one can gain access to. Some areas are overused repeatedly because of convenience, flexibility and can we say lackadaisicalness?

I knew I wanted to shoot Le’Annka in the "bush" on the side of the road, reminiscent of my earlier days of being a photographer. I had no studio, so I used the beaches, bushes and nature as my set. I thought to use a stunning hand-painted canvas backdrop I'd ordered from Portrait Drops on location, sort of a makeshift studio, and I knew I’d mix ambient lighting with my strobe.

Le’Annka was a great subject to photograph. She was easy to direct and her innocence complimented the images that I tried to capture. The natural and ambient light, grass and overall styling created this ambience that I only could find on Pinterest. Still, here I was, capturing these beautiful images in a location that many of us would simply drive past.

Check the images and my first YOUTUBE video for the year. I knew this topic would be relatable to many photographers as its something I'm challenged with. Let me know what you think in the comments, and I'd love to find out other topics you find interest in.